October cover star Olivia Colman’s signal moment came this past winter, when she won a best-actress Oscar for her performance in The Favourite as Queen Anne: a childish, heartbroken sovereign with a circle of sycophants and the eye makeup of a nightmare Ronette. Colman—“Collie” to many friends—took to the stage cracking self-deprecating jokes while tearing up, recalling her work as a house cleaner and calling out her weeping writer husband, Ed Sinclair. (“He later said that was the best night of his life, and the kids went, ‘What?’ ” Colman recalls. “ ‘To be fair, watching your wife give birth is very stressful.’ ”) “The person the whole world saw, the way they fell in love with her, not just her performance, that’s who she is,” says Rachel Weisz, a costar nominated for best supporting actress along with Emma Stone, who reports spending parts of the evening in tears at the thrill of seeing someone “so deeply good—and I don’t just mean talent” recognized. (“She is kind of a perfect woman,” Stone explains.) In an industry that trades in illusion and mystique, Colman has helped to announce a down-to-earth age, a moment in which the quality of stardom has begun to shift from the unreachable to the exquisitely human. Tap the link in our bio to read our full profile. Photographed by #AnnieLeibovitz , styled by @tonnegood , written by Nathan Heller, Vogue, October 2019.